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Thursday 1 August 2013

auction market musings

 Chopperbie's
Now taking consignments.  
 

So I'm back at uni (last semester hooray) and one of the first week assignments was to respond to the article by Louise Bellamy, published in the SMH in May 

Normally despondent to week one activities, I surprised myself with my enthusiasm for the set topic. The question was to "Comment on one issue raised in the article", which as all about auction houses blah blah blah.

I actually found it raised several issues. As usual I couldn't decide what I liked best so I just said them all. As I'm working with, not for auction hoses I have a  degree of distance that allows me to look at them objectively. They are the cornerstone of the art market, yet tend to receive bad wrap in Australia where the focus (and glory) remains firmly in the primary market. 

Like anything, it comes down to a combination of education and marketing. Buyers need to educated themselves on the secondary market and what auctions houses do what. And auction houses need to market themselves in a more aggressive manor in order to reach a wider buying public, not just the regular clientele. 


Bellamy's article raised a few issues. Mainly that the secondary art market is run by middle-aged men with monosyllabic names. Asides from that, it stated the obvious that has been brewing for years within the top tier auction house. Here are my musings:

Sotheby’s brand is suffering and their clients are literally going underground. Six feet underground. They can’t find the new market to shift the Nolan’s and the McCubbin's because they are going out of flavor with active collectors who are looking for the next thing with a bit more cool factor. Plus the whole Smith/Gould case has left things slightly uneasy around the place. But they have the market share in jewellery and antiques so ease the burden in order to keep the art side ticking. The have also stopped their stand alone Aboriginal art sales. They either need to re-brand the outfit or align themselves more closely with the international franchise.

Bonhams. Probably the most exciting auction house at the top end. Mark Fraser has been spunking the place up since he came back from a stint at MONA. The Grundy sale was a money spinner, well executed and marketed within an inch of its life. It paid off with numerous sales records achieved, an international ‘tour’ and lots of media attention. Plus the fact the AGNSW purchased four works, which are now hanging in the foyer. All the major auction houses pitched for this sale, giving a good indication of pecking order at the moment. Look out for theirContemporary auctions: a Basel art fair in 50 lots.

Menzies Art Brands. They will keep things ticking over thanks to Menzies Other Brands.* But the catalogues are getting leaner. I predict more works will be funneled onto Lawson~Menzies, a much more active market that gets the collectors and punters alike. With a recent staff shift and a jam-packed August sale, expect to see good things come through here at bargain prices. Good place to sell, even better place to buy. As an aside, Lawson's in now in the care of Martin Farrah so expect to see a higher turnover in art and antiques.

deutscher + hackett . A class act. They have the Melbourne set to keep them ticking, plus are diversifying into gallery spaces and primary market. Buyers and sellers love them so they will always get good, reliable and interesting works.

I predict the next few years will see the action shift to the second tier auction houses, with Mossgreen, Leonard Joel and Lawson~Menzies taking up the majority market share. As Bellamy states, all the movement is in the $1,000-5,000 bracket. Other ones to watch are Theodore Bruce who are taking up where Bay East (formally part of Sotheby’s Australian holdings) left off after closing suddenly last year.

What is clear is the need for auction houses to start courting younger collectors. Galleries are doing it. Action houses need to make themselves more open, accessible and informative. Huge potential lies in this zone of GenX/GenY. 

Auctions need to get sexier and louder. And that doesn't mean starting a creepy facebook page. And if obtainable is the new aspirational, then it really is the era of the auction.   

*namely cleaning services, a wonderful company that ensure Menzies Art Brands has the cleanest showrooms in the business.

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